Audio mixer
Video gets the attention. Audio gets the complaints.
A real multitrack mixer, built in — because viewers forgive a soft shot long before they forgive crackling audio or a dead announcer mic.
The board
Every source gets a fader.
- Per-source levels — cameras, media clips, everything. One fader each, plus a master over the whole mix.
- Mute, solo, suppress — kill a noisy source with one tap, or solo a source into headphones to check it before it embarrasses you.
- Live meters — real-time peak levels on every source and the master. You see the problem before the chat does.
- Formats handled — 48 kHz and 44.1 kHz, mono and stereo, mixed automatically. Not your problem anymore.
The part you don't see
The mix doesn't follow the cut.
Switching cameras changes what viewers see — not what they hear. The crowd mic stays up while you cut between angles, because that's how television works. Audio and video are mixed independently, on purpose.
- Independent audio mix — any combination of sources feeds the broadcast, regardless of which video is on air.
- Jitter buffering — Wi-Fi cameras deliver audio in bursts; per-source buffering smooths it back into clean, continuous sound.
- Sync watchdog — audio/video drift is measured continuously and corrected automatically before viewers notice lips out of sync.
- Replay-aware — cut to a replay and the live audio bed keeps rolling underneath.
Nobody ever comments on good audio. That's the goal.
The whole mixer is free.
Faders, solo, monitoring, meters, jitter buffering — every tier, no exceptions. Nothing artificially crippled.
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